Work Details

Here, you'll find a curated showcase of my VFX work, categorized to highlight the diversity and skill that goes into creating stunning visual narratives. Here, you'll find a curated showcase of my VFX work, categorized to highlight the diversity and skill that goes into creating stunning visual narratives.

Work In progress - Lost city

VFX Works

Gaami

I had the privilege of working on my first feature film, Gaami, under the esteemed direction of Shri Vidhyadhar Kagita and the expert supervision of S.K. Raju. My responsibilities included keying, background stabilization, and compositing. This particular shot presented significant challenges due to the underwater setting, which required meticulous keying to accurately isolate the character amid numerous water bubbles. The task demanded precision and creativity to achieve a seamless final composite that met the film's high standards.

Gaami

This shot, also from the film Gaami, involved extensive chroma keying. I crafted the background with careful attention to lighting and added intricate details to enhance the overall frame. The compositing process was meticulous, ensuring a polished and cohesive final shot.

Martand - The Unforgotten Sun Temple

This iconic shot from the short film Martand - The Unforgotten Sun Temple highlights my comprehensive skills in 3D modeling, texturing, and final compositing. I meticulously crafted the 3D models to reflect the intricate architecture of the ancient sun temple, paying close attention to details and textures to ensure historical accuracy and visual appeal. The final compositing process was crucial in blending all elements seamlessly, creating a visually stunning and memorable scene that significantly contributed to the film's overall impact.

Robot Project - (Personal Shot)

For the Human Robot Project, I created a compelling hybrid character that seamlessly blends human and robotic elements. I meticulously modeled the robot's head and left arm, ensuring that both parts displayed a high level of detail and realism. Additionally, I performed precise object tracking and camera tracing to integrate the robotic components with the live-action footage. The final step involved comprehensive compositing to achieve a cohesive and polished final look, bringing the hybrid character to life with striking visual impact.

Brahmastra Parody

For the project titled Brahmastra Parody, I executed the task of rotomation. This short film humorously reimagines elements from the original Brahmastra, requiring precise rotomation to animate characters accurately. I meticulously tracked and animated the characters to match the live-action footage, ensuring a seamless blend that enhanced the film's parody elements.

NEON City - (Freelance)

In this shot, I have executed a comprehensive development process to achieve the final look. The initial phase involved keying to isolate the main elements from the background. Following this, I integrated a detailed matte painting to serve as the new background. To enhance realism, I meticulously added window glass elements, ensuring all details were accurately represented. Next, I performed rotoscoping to refine the edges and make precise adjustments where needed. I also undertook extensive paint work to correct and enhance specific areas. Finally, I completed the process with compositing, blending all elements seamlessly to achieve the polished final appearance.

Muzzle Flash Action Shot (Personal Project)

In the midst of my ongoing projects, I created a stunning fight shot to enhance my skills. This undertaking required extensive research and application of numerous references to achieve the desired outcome. The process was both challenging and rewarding, allowing me to enjoy the final output and further refine my expertise in creating dynamic and visually compelling fight sequences.

Jyestheshear - Ek Prachin Shivalay (Short Film - by Team Nimitta FX)

The Jyestheshwar Temple's 3D project was an in-house endeavor by Team Nimitta FX. For this short film, I was responsible for the look development and final compositing. My work involved creating the visual style and aesthetic of the project, ensuring that each element aligned with the intended vision. The final compositing process brought all the components together, resulting in a cohesive and visually striking representation of the temple.

Blast on the Wall (Personal Project)

I collaborated with my colleague Rohit Gupta on this project. While Rohit expertly handled the FX components, I was responsible for the remaining compositing work. My role involved integrating all elements seamlessly to achieve a polished and cohesive final output, ensuring that the visual effects were flawlessly combined with the live-action footage.

Shivantra Vs UFO (Personal Project)

This project was a joint venture with my colleague Rohit Gupta, who handled the FX components. My responsibilities included integrating live-action footage with CGI characters, ensuring a seamless interaction between the two. I also performed matchmoving, created clean plates, executed rotoscoping, and completed the final compositing. My work ensured that the CG elements were perfectly aligned with the live-action footage, contributing to a visually cohesive and dynamic final product.

Gaami

In this shot from the film Gaami, I was responsible for clean plating and camera projection. The clean plating involved meticulously removing unwanted elements from the footage to create a pristine background for further effects work. For camera projection, I mapped the cleaned plate onto 3D geometry to ensure accurate integration with the live-action elements. This process was crucial in maintaining visual consistency and depth, contributing to the seamless and immersive final look of the shot.

Gaami

For this shot in Gaami, I created a dramatic atmosphere by enhancing the sky with stormy lighting effects. This involved adding dynamic storm lighting to intensify the visual impact. Additionally, I utilized the camera projection method to integrate a Pagoda-style temple atop a mountain, seamlessly blending it with the existing environment. This approach ensured that the temple appeared naturally integrated with the scene, contributing to the overall grandeur and depth of the shot.

Martand - The Unforgotten Sun Temple

For the short film Martand - The Unforgotten Sun Temple, I undertook several key responsibilities, including 3D modeling, texturing, and creating the 3D environment. I carefully modeled and textured various elements to ensure a high level of detail and realism. Additionally, I developed the 3D environment, including trees and other natural elements, to enhance the film's immersive quality. The project concluded with final compositing, where I integrated all elements seamlessly to achieve a polished and cohesive visual representation that supported the film’s narrative and artistic vision.

Gaami

For this shot, I performed look development to establish the visual style and aesthetic. The footage was shot against a chroma screen, so I carried out precise chroma keying to isolate the subject. I then created a fitting background to complement the scene and completed the final compositing to seamlessly integrate all elements. The result was a cohesive and visually striking final look that enhanced the overall impact of the shot.

Terminator (Personal Project)

Inspired by James Cameron's Terminator, this project marked one of my earliest ventures into VFX. I handled every aspect of the production, from conceptualization and initial design to the final look. This comprehensive involvement included all stages of the process, ensuring a cohesive vision and polished end result. The project provided valuable experience and insight into the full scope of VFX production, reflecting my growth and development in the field.

Couple in The Car (Personal Project)

In this project, I executed chroma keying to effectively isolate the subject from the green screen background. I also handled background placement to ensure a seamless integration with the live-action footage. Additionally, I added light reflections to the car, enhancing its realism and visual impact within the scene. These elements combined to achieve a polished and convincing final look.

The Night City (Personal Project)

In the project The Night City, I was responsible for the compositing of both 2D and 3D elements. This involved integrating various 2D assets with 3D models to create a cohesive and visually compelling scene. My work ensured that the elements blended seamlessly, maintaining a consistent style and depth throughout the project. The final compositing resulted in a dynamic and immersive visual experience, effectively bringing the night cityscape to life.

Gaami

In this shot from Gaami, I performed sky replacement to alter the background atmosphere and enhance the visual impact. I also executed matte painting to create detailed and realistic backgrounds that seamlessly integrated with the scene. Rotoscoping was used to precisely isolate and animate elements, ensuring smooth transitions and integration. The project was completed with final compositing, where I combined all elements to achieve a polished and cohesive final look.

The Creator Look (Personal Project)

For my personal project The Creator Look, I was responsible for the final compositing. This involved integrating various visual elements to achieve a polished and cohesive final appearance. My work ensured that all components seamlessly blended together, resulting in a visually compelling and refined end product that met the project's creative vision.

Gaami

In this shot from Gaami, I applied digital makeup to enhance the appearance of the characters. This involved using advanced techniques to modify and improve facial features and textures, ensuring a polished and visually striking look that supported the overall aesthetic of the film. The digital makeup was integral in achieving the desired character transformations and maintaining continuity throughout the scene.

Jyestheshear - Ek Prachin Shivalay (Short Film - by Team Nimitta FX)

For the short film Jyestheshwar - Ek Prachin Shivalay, produced by Team Nimitta FX, I was responsible for look development and final compositing. My work in look development involved defining the visual style and aesthetic, ensuring that the film's elements aligned with its artistic vision. I then applied final compositing techniques to integrate all visual components, achieving a seamless and polished final look that enhanced the overall impact of the film.

Martand - The Unforgotten Sun Temple (Short Film - by Team Nimitta FX)

In the short film Martand - The Unforgotten Sun Temple, produced by Team Nimitta FX, I worked on a grand and visually impactful shot. My contributions included 3D modeling and texturing, where I crafted detailed assets to enhance the scene's realism. I also developed the 3D environment, incorporating trees and mountainous elements to create a rich and immersive backdrop. My work culminated in final compositing, where I seamlessly integrated all visual elements to achieve a polished and cohesive final look that complemented the grandeur of the shot.

Gaami

In this shot for the film Gaami, I handled chroma keying, background creation, and final compositing for a particularly challenging shot. I meticulously keyed out the green screen, crafted a detailed background with appropriate lighting, and added subtle details to enhance the frame. The shot presented difficulties due to a heavily blurred background, which complicated the keying process. Despite these challenges, I applied considerable effort to achieve a clean and effective key, ultimately delivering a polished final composite that met the project's high standards.

Trunk Project - (Personal old project)

In my personal project Trunk Project, I was responsible for camera tracking, object tracking, and final compositing. I executed precise camera tracking to match the movement of the live-action footage with 3D elements. Object tracking was also performed to ensure accurate integration of additional elements within the scene. The project concluded with final compositing, where I seamlessly combined all visual components to achieve a cohesive and polished final result.

Platforms I have collaborated with: